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| the man and the sea |
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Author: elena vichi |
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| Year: 2010 |
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| Oil |
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| 70 x 60 x 3 cm |
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| Price: Contact the author |
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| the sea gives the sea takes. the element with whom we share the life is the creator of life, but calls for a tribute ... the symbol of the human hands, they drop into the depths of what you download at the same time require the product of the sea. sow or destroy? both. illusions and disillusion. |
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| THIRSTY |
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Author: elena vichi |
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| Year: 2011 |
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| Oil |
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| 60 x 70 x 3 cm |
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| Price: Contact the author |
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| Thirst.
Burning heat drought.
The frantic search for water.
adolescents
all equal
but different in perceiving
each one is thirsty, quench his thirst.
waiting
Anxiety of knowledge of awareness of maturity ...
are conscious of learning?.
young
claim they want to ask
live and call life. |
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| THIRTY |
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Author: elena vichi |
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| Year: 2011 |
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| Oil |
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| 40 x 50 x 2.5 cm |
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| Price: Contact the author |
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| Thirst.
Burning heat drought.
The frantic search for water.
adolescents
all equal
but different in perceiving
each one is thirsty, quench his thirst.
waiting
Anxiety of knowledge of awareness of maturity ...
are conscious of learning?.
young
claim they want to ask
live and call life. |
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| HIDDEN IN SILENCE |
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Author: elena vichi |
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| Year: 2011 |
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| Oil |
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| 50 x 60 x 3 cm |
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| Price: Contact the author |
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| Contrast, the afternoon on the grass. |
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Author: elena vichi |
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| Year: 2011 |
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| Oil |
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| 18 x 24 x 0.5 cm |
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| A summer afternoon at the park, moments of rest, two contrasting images, two cultures live together but do not approach. The one in the sun, shade the other, each other and are not disturbed. |
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| Fira set dulur, yesterday and today |
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Author: elena vichi |
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| Year: 2011 |
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| Oil |
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| 40 x 30 x 1.5 cm |
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| the empty place |
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Author: elena vichi |
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| Year: 2011 |
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| Oil |
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| 30 x 24 x 2 cm |
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| Tribute to Forlì |
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Author: elena vichi |
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| Year: 2011 |
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| Oil |
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| 60 x 70 x 3 cm |
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| AT THE FRONT |
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Author: elena vichi |
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| Year: 2011 |
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| Oil |
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| 30 x 22 x 1 cm |
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| THE THIRST |
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Author: elena vichi |
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| Year: 2010 |
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| Oil |
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| 120 x 60 x 3 cm |
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| Price: Contact the author |
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| THE THIRST, HEAT DROUGHT. Desperate search of what ADOLESCENCE CHANGE. FENCE IN A CLOSED PERSONNEL IN RECEIPT BUT DO NOT SEE, ASK AND WISH TO LIFE.
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| BE THIRSTY |
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Author: elena vichi |
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| Year: 2010 |
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| Oil |
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| 120 x 100 x 3 cm |
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| Price: Contact the author |
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| Thirst.
Heat droughts scorching heat.
Pursuit of water.
Adolescents
all the same, but different in perceiving
each has thirst, thirst.
Waiting
anxiety of knowledge of awareness of maturity ? have conscience of learning?.
young age ask want to pretend they live and ask for life.
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| dedicated to anna |
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Author: elena vichi |
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| Year: 2010 |
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| Oil |
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| 50 x 40 x 3 cm |
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| boredom |
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Author: elena vichi |
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| Year: 2009 |
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| Oil |
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| 100 x 70 x 3 cm |
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| that adolescence brings what he invents what is left in uncertainty and to remember the past ... and everything is too little to mock boredom |
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| be father |
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Author: elena vichi |
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| Year: 2008 |
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| Oil |
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| 70 x 60 x 2.5 cm |
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| Price: Contact the author |
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| The existential condition of the family in Western society is reflected in the daily life of entire generations, this generation, in which we reflect, whose influence has to be adjusted to new patterns. Difficulties in being a father. No more definite role for? man of the patriarchal culture but the real point of reference for their children, in spite of his conscious? removal and detachment? woman? the concept of mother and wife role in continuous search for balance. |
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| SEASONS OF LOVE |
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Author: elena vichi |
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| Year: 2008 |
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| Oil |
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| 90 x 80 x 3 cm |
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| southern spirit |
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Author: elena vichi |
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| Year: 2007 |
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| Oil |
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| 120 x 100 x 2.5 cm |
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| Price: Contact the author |
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| We are always south of someone else? the realities of women in various parts of the world as in our daily life and their generation, joins the difficulties of emancipation and the cultural heritage in difficult change. The new generations evolve, result suffered, commitment and example for later? of an other culture, an other life. Every woman her environment,? environment that creates a bond, liability and expense, in every place a stick symbol of the need for support, we introduced the monochromatic resignation, his head covered, a symbol of submission: a chain? break the chain that makes you a prisoner?, one of them does.
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| COTTAGE: SPINELLO 2007 |
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Author: elena vichi |
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| Year: 2007 |
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| Oil |
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| 60 x 60 x 3 cm |
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| Price: Contact the author |
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| FIRE |
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Author: elena vichi |
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| Year: 2006 |
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| Oil |
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| 30 x 40 x 2.5 cm |
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| Price: Contact the author |
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| The fury devastating fire leaves a trace evident in the hearts of those who are staying has abandoned, memories throng, pain, the memory of the events almost to delete every story that fail to assimilate, better fire .... better oblivion for what remains of the past. |
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| EMPTY SPACE |
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Author: elena vichi |
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| Year: 2006 |
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| Oil |
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| 100 x 150 x 3 cm |
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| Price: Contact the author |
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| Works inspired by poetic text.
Our experiences and the vacuum that leaves the defeat... the bench is sitting has still placed next to you, but his hand indicates the empty spot. Who is party, his reality, moving towards a world tide or their own way. Those who walk, towards us spectators, indifferent or perhaps not providing treatment or not careful, we are looking and not include.
"? when you're defeated without having ever open battle... /... when gridi your contempt and inside hamper your love... /... a different world that was you'd like the your... /... then leaves the road and try your place..." From the text of the poet Mariarosaria Guarini. |
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| A SMALL WORLD TRADITION |
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Author: elena vichi |
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| Year: 2005 |
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| Acrylic |
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| 54 x 110 x 15 cm |
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| Price: Contact the author |
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| The medium used for the execution of the project is a pulley, swivel wheel originally enveloped by a strap and used for lifting with motion optical rotation.
Precisely this bike rotational means in this case counterclockwise symbolize the trace from the present to the past life and a small world Romagna traditional players: is a tribute to those who port forward the tradition of days our up to the capostipiti who invented a genre of music inspired by the Viennese waltz and fit to a farmer people that knew group dances well and that suffered apprezzò pair dances. |
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| matogrosso |
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Author: elena vichi |
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| Year: 2004 |
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| Oil |
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| 90 x 80 x 2.5 cm |
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| Price: Contact the author |
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| SEARCH INSIDE |
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Author: elena vichi |
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| Year: 2004 |
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| Oil |
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| 100 x 70 x 3 cm |
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| Price: Contact the author |
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| This framework project is started looking for a young maiden my ancestor lived at the beginning the second half of the nineteenth century whose life I have no evidence tangible but only stories precise heading, adolescent died soon after the deaths of two young parents and sister of two children in swaddling. In the research are been dragged from the charm of this story set in an unknown place, perhaps between country campaign and a century Ravenna, between houses and villas of summer residence of wealthy relatives. Also this painting is a map to tie the history of people, the history of places: change in the landscape is aware witness, that seems so slow but back into the memory is fast and as a flashback overlays images of the first and then, what that grows and what that disappears. |
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| Casket: continuity |
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Author: elena vichi |
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| Year: 2004 |
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| Acrylic |
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| 58 x 108 x 6 cm |
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| Price: Contact the author |
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| Support used for the execution of the project, payback is poor material consisting of plywood bonded paper argentea in turn poor material bonded (originally used as shelf to replace wood, heavier and more expensive, within mobile) composed of paper, paperboard and wood, pressed haircut shop of restoration.
Completes a currency belief before mid-900 ' which covers and encloses as in a casket inside the work itself: acrylic on veneer and tissue paper, China on cardboard Treaty.
The casket has hidden the description of a glimpse citizen, place us near space and memory in our Visual reality that hides the eyes hurried passers-by. The work is a breakdown of the size, which requires the use of metaphoric geographical reference cards, he lives in a dilapidated old tenement ignored and originally used for the job, amidst campaign and modern buildings continue to produce work for him and to show us, because the pass inevitable time, loneliness and isolation. |
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| DANCE OF PAIN |
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Author: elena vichi |
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| Year: 2003 |
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| Mixed technique |
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| 90 x 70 x 3 cm |
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| liga |
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Author: elena vichi |
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| Year: 2003 |
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| Acrylic |
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| 60 x 50 x 3 cm |
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| ligabue venice concert on theatre 2003 |
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| LANDSCAPE |
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Author: elena vichi |
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| Year: 2003 |
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| Acrylic |
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| 50 x 80 x 3 cm |
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| LETTER |
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Author: elena vichi |
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| Year: 2003 |
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| Acrylic |
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| 80 x 50 x 3 cm |
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| LIGA |
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Author: elena vichi |
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| Year: 2003 |
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| Acrylic |
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| 70 x 80 x 3 cm |
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